The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Even though the individual faces of her audience were not to be singled out, she had been conscious from the first moment of her appearance that something was wrong. This is simply a chapter of coincidences. John sat pensively in the back of his best friend's mother's minivan, piloted by his best friend Mark. Aunt and niece regarded each other silently.
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