“Sold again,” she remarked. Rebellious and resentful, Melusine decided there and then that she would do exactly that, come what may. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She had even tried a needle and a catheter on a victim once, but had found that the process was so frustrating and slow that she barely gained any sustenance and had done the worst thing imaginable: wasted a kill.
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