“You are too good for me,” she said in a low voice. She jumped up at once, caught up a leather clutch containing notebooks, a fat textbook, and a chocolate-and-yellow-covered pamphlet, and leaped neatly from the carriage, only to discover that the train was slowing down and that she had to traverse the full length of the platform past it again as the result of her precipitation. " "I'll not go," answered the other. Wood's favourite sitting-room, and her image was so intimately associated with it, neither the carpenter nor his daughter could muster courage to enter it before. Its heroes never had daughters, they borrowed other people’s.
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