The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. It became a sort of duel at last between them, and all the others sat and listened—every one, that is, except the Alderman, who had got the blond young man into a corner by the green-stained dresser with the aluminum things, and was sitting with his back to every one else, holding one hand over his mouth for greater privacy, and telling him, with an accent of confidential admission, in whispers of the chronic struggle between the natural modesty and general inoffensiveness of the Borough Council and the social evil in Marylebone. "You'd have hit it off better if you'd called her The Sow. It was a habit of his to talk to himself. When I think of those ateliers of ours, the art jargon, the decadents with their flamboyant talk I long for a twoedged sword and a minute of Divinity.
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