Purney, the ordinary, who had latterly conceived a great regard for Jack, addressed him in a discourse, which, while it tended to keep alive his feelings of penitence, was calculated to afford him much consolation. "Do you compare your love—a love which all may purchase—with hers? No one has ever loved me. “Indeed,” she said, “it was very fortunate that I should have met you this afternoon. In one hand she carried a long-stalked red rose, dripping with dew, in the other the post-bag. She could not see what occurred, though she guessed it; but she saw Jonathan's devilish triumphing glance, and read in it,—"Your son has committed a robbery—here—in these holy walls—he is mine—mine for ever!" She uttered a loud scream, and fainted. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘I had no need of the place, and there was no money, of course. She wanted to live.
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