"The end is the most beautiful in English literature. E. —Providence, I mean—HAS arranged it so that men will keep you, more or less. Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. Having ascertained that a vessel sails for France from the river at daybreak to-morrow morning, I have secured a passage in her, and have already had the few effects I possess, conveyed on board. A narrow entry, formed by two low walls, communicated with the main thoroughfare; and in this passage, under the cover of a penthouse, stood Wood, with his little burthen, to whom we shall now return. Wood hadn't struck me. ‘It does not matter to me if he comes or no, madame. She is more dear to me than anything else.
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