with you. ‘Eh bien?’ She thrust again, from the same place. Was it that the struggle of things to survive produced as a sort of necessary byproduct these intense preferences and appreciations, or was it that some mystical outer thing, some great force, drove life beautyward, even in spite of expediency, regardless of survival value and all the manifest discretions of life? She went to Capes with that riddle and put it to him very carefully and clearly, and he talked well—he always talked at some length when she took a difficulty to him—and sent her to a various literature upon the markings of butterflies, the incomprehensible elaboration and splendor of birds of Paradise and hummingbirds’ plumes, the patterning of tigers, and a leopard’s spots. Her thoughts were busy with the possibilities of this break in her journey. It was painted in the early seventeenth century by a minor artist named DuPre. “You and Anna,” she said, “seem to have stumbled upon a mare’s nest. That boy," he added, looking at Thames, "has his eye upon us. It seemed to make her sister downcast beyond any precedent.
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