The simile started a laugh in his throat. He wondered if the young fool had any idea of what he had drawn in this tragic lottery called marriage. He remembered that, before he attempted to dislodge the stone, he had placed the child in a cavity of the pier, which the granite mass had been intended to fill. She was aware of the body of the court, of clerks seated at a black table littered with papers, of policemen standing about stiffly with expressions of conscious integrity, and a murmuring background of the heads and shoulders of spectators close behind her. The third item she took with a trembling hand by its waistbelt. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. Jack Sheppard's Escape from the New Prison 258 V.
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