He did not have to. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “A wonderful piece of work,” he declared. You represented to us the immaculate Briton, the one Englishman who typified the Saxonism, if I may coin a word, of our race. She walked straight across to the wardrobe and opened it.
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